Encores! Revives an Obscure Classic: “Love Life”
In recent years, Encores! has been known for reviving well-known musicals such as “Into the Woods,” “Titanic,” and “Urinetown.” However, with its latest production, “Love Life,” the series seems to return to its original mission statement by showcasing a lesser-known show—one that lacks widely recognized standards. In fact, nothing from this production would likely ignite a singalong, even at the most devoted piano bar.
“Love Life,” a collaboration between Kurt Weill and Alan Jay Lerner, first graced Broadway in 1948, where it enjoyed a run of 252 performances. Over the years, it has cultivated a dedicated cult following, primarily due to its bold storytelling and innovative approach. The musical delves into the very essence of American life and seamlessly incorporates vaudevillian elements, setting the stage for future classics like “Cabaret” and “Chicago.”
Despite its intriguing premise, the show has been largely absent from New York’s theatrical landscape over the decades. The absence of an original cast recording has hindered its popularity; aside from some grainy footage of one of its original stars, Nanette Fabray, performing “Green-Up Time” on “The Ed Sullivan Show,” and a few numbers appearing on various albums—such as Bryn Terfel’s rendition of “Here I’ll Stay”—“Love Life” remains relatively obscure in contemporary musical theater.
This scarcity and uniqueness make it an enticing choice for Encores!, which is currently staging a semi-staged production at New York City Center, running through Sunday. Under the direction of Victoria Clark, this rendition of “Love Life” offers mere glimpses of the musical’s true potential.
The vocal performances are exceptional, showcasing top-tier talent, especially during ensemble pieces. The harmonies achieved in numbers like “Susan’s Dream” come tantalizingly close to reaching the high-water mark set by Encores! in its acclaimed 1997 production of “The Boys From Syracuse,” particularly in the beloved number “Sing for Your Supper.” Rob Berman skillfully conducts the onstage orchestra, further enhancing the experience.
